Guitar Therapy

Although we call it guitar tabs nowadays, tablature has been around since the a5th century. It was used to write for lutes, vihuela, ukelele. It was used in Renaissance and Baroque eras; there were many types of tablature for even for organs. Today it is commonly used for guitar and stringed instruments and the like. For us, we will solely focus on guitar tablature. Unlike music notation, tablature indicates the note to be played in numbers rather than musical pitches or notes on music sheets. Guitar tablature allows you to read and write the technical aspect of playing the guitar. Techniques such as hammer-on, vibrato, pull-offs, etc. are all easily demonstratable. Here's an example Add caption Guitar tablature is easily adapted into bass player's tablature as well. The diagram of a tablature as shown above is the view of the guitar if you kept it on your lap frets upward. The top most line is high 6th string and the bottom the lowest E. The numbers are the note you need to fr...

To play music, you need to know its meter, the beat you use when dancing, clapping, or tapping your foot along with a song. When reading music, the meter is presented similar to a fraction, with a top number and a bottom number, we call this the song’s time signature. The top number tells you how many beats to a measure, the space of staff in between each vertical line (called a bar). The bottom number tells you the note value for a single beat, the pulse your foot taps along with while listening. In the example above, the time signature is 4/4, meaning there are 4 beats per bar and that every quarter note gets one beat. Click here to listen to sheet music written in 4/4 time, and try counting along 1,2,3,4 – 1,2,3,4 with the beat numbers above. In the example below, the time signature is 3/4, meaning there are 3 beats per bar and that every quarter note gets one beat. Let’s look again at the above examples, notice that even though the 4/4 time signature in “Twinkle, Twinkle Little Sta...

Now that you know the parts to each note, we’ll take a closer look at those filled and open note heads discussed prior. Whether a note head is filled or open shows us the note’s value, or how long that note should be held. Start with a closed note head with a stem. That’s our quarter note, and it gets one beat. An open note head with a stem is a half note, and it gets two beats. An open note that looks like an “o” without a stem is a whole note, and it gets held for four beats. There are other ways to extend the length of a note. A dot after the note head, for example, adds another half of that note’s duration to it. So, a half note with a dot would equal a half note and a quarter note; a quarter note with a dot equals a quarter plus an eighth note. A tie may also be used to extend a note. Two notes tied together should be held as long as the value of both of those notes together, and ties are commonly used to signify held notes that cross measures or bars. The opposite may also happen...

The hierarchy of competence is sometimes also referred to as the stages of learning. These are the psychological stages of learning or acquiring a new skill. Mr. Noel Burch used it at Gordon Training International in the 1970s' as a training model for its employees. I came across this while reading a book by mental game coach  Dr. Jared Tendler  called  The Mental Game of Poker . I found it very interesting and realized that we could apply this in learning to play the guitar, because technically, what we are really doing is acquiring the new skillset of playing an instrument. As you can see in the diagram, acquiring a new skill is gradual progress that starts from being unconscious incompetent and ends at unconscious competence when mastery is achieved. 1]  Unconscious Incompetence This is the beginner stage. You have just come across the guitar or seen someone play, and you like it! You want to play it, yet you do not where to start though. Bec...